Khawab Nama in Urdu, Khawab nama Yusafi, Khawabon ki Tabeer:

A:

->Abad masjid daikhna:
Deendar ho, islam ka khadim ho. Uqbi nijaat paye.

->Abad Khaanqah dekhna:
Gaib se madad milay, dolat mand ho aur bazurgon ki khidmat karay.

->Abad jagah ko gair'abad dekhna:
Museebt-o-afat nazil hone ki neshani hai.

->Abad makan girtay dekhna:
Ghar k malik ki mout waqaya ho, museebat aye.

->Aab jari dekhna:
Jo kaam kerna hai, erada ho, wo khair se sar'anjam paye.

->Aab'Chaah dekhna:
Fayeda'mand ho, fitna aur fasad se door ho.

->Aab shoor dekhna:
Fikar-o-andesha la'haq ho. Pareshan ho.

->Aab'geena dekhna:
Gham-o-andesh se be-qarar ho. Dushman se be-khabar ho.

->Aab Mussafa dekhna:
Darazi-e-umr aur husol-e-khushi-e-barkat ho.

->Aab Gadla dekhna:
Umr kotah ho, ya raanj-o-malal ho.

->Aabla safaid dekhna: 

Zyadti maal ho aur tijarat mein nafa ho.

->Abaad madrassa dekhna:
Mulak mein taleem aam ho, elm hasil kernay ki koshish karay.

->Abnoos dekhna:
Mehnaat-o-mushqat mein kamyab ho aur maal hasil karay.

->Abnoos ghar mein dekhna:
Lakin wo bakheel(Kanjoos) ho ga.

->Atishdaan dekhna:
Khobsurat aurat se shaadi ho.

->Atishdaan mitti ka dekhna:
Lohay ka atishdaan ho tou khandaan ki aurat se shaadi karay.

->Atasheen Shaula dekhna:
Raanj-o-Gham mein mubtla ho.

->Atisheen shaula shehr mein dekhna:
Jaang ho aur fitna-o-fasad barpa ho.

->Aatish'kada dekhna:
Gumrah hone ka andesha hai, fikr mein mubtla ho.

->Aatish'kaday se kuch lena:
Zilaat-o-ruswaye ho. Dunya mein badnaam ho.

->Aata Gandam(Wheat) urtay dekhna:
Maal hasil ho, kaam mein taraqe ho.

->Aata Jau ka dekhna:
Taraqi deen ka bayes hai, naik kaam hon aur gham door hon.

->Aata bikta dekhna:
Jis shakhs ko beechtay dekhay, wo deeen ko duniya k ewaz faroohat karay.

->Aadmi mota dekhna: 

Dolat'mandon mein shaml ho.

->Aadmi kamzoor dekhna:
Darweeshi ekhtyar karay.

->Aadmi lohay ka dekhna:
Darazi umr ho aur be'panah dolat naseeb ho.

->Aadmi tanbay ka dekhna:
Mout aye aur ghar mein kharabi dekhay.

->Aara darkht per chalana:
Pareshani hasil ho.

->Aaru ka darakht dekhna:
Maal-o-dolat milnay ki neshani hai, larki paida ho.

->Aaru zard dekhna:
Beemari anay ki alamat hai.

->Aaru meetha dekhna:
Maal-o-naimat hasil ho, naik'bakht farzand paida ho.

->Azaad hota dekhna:
Qaid ho tou rehaye paaye, ghulami se nijaat hasil ho.

->Azaar'bnd dekhna:
Aurat ya kaneez haath aye, Aish-o-aram hasil ho.

->Aasmaan safaid dekhna:
Dunya mein waba phailay.

->Asmaan surkh dekhna:
Mulk mein khoon'raizi ho. Jang chirnay se takleef milay.

->Aasmaan syaah dekhna:Mulk mein qeht paray, bhook se log pareshan hon.

->Aasman se barish hotay dekhna:
Mulk mein khush'hali ho, loog aram payen.

->Aasman roshan dekhna:
Karobar mein taraqi ho.

->Asmaan se girna:
Kisi museebat mein mubtla ho.

->Aasmaan dekhna:
Buland martba ho aur larka paida honey ki daleel hai.

->Aasman ki taraf jana:
Safar dar'paish ho jis se bohat faida milay.

->Aasman k qareeb pohnchna:
Khushi aur sukon ka bayes ho.

->Aaftaab roshan dekhna:Behtri jaan-o-maal ki daleel hai.

->Aaftaab per abr dekhna:
Ghamgheen honay ki daleel hai.

->Aftaab be-roshan dekhna:
Touba qubol na ho, juwa'bazi aur makari ekhtyar karay.

->Aaftan nisf-ul-nahar per dekhna:
Kamal uroj hasil ho, sardaroon mein shamil ho.

->Aag ya Aatish dekhna:
Aurat maaldaar hasil ho ya barish ho jis se khush;hal ho.

->Aag roshan dekhna:
Jis qadr roshan dekhaybehtri ho or dolat milay.

->Aag ki roshni mein chalna:
Dolat milay, izzat hasil ho aur naiki ka rasta ekhtyar karay.

->Aag ko bhujta dekhna:
Agar ghar mein dekhay tou khandan mein fasad ho. nafrat paida ho.

->Aag ki pooja kerna:Zaalim hakim ka mehkom ho.

->Aag per kuch pakta dekhna:
Munafat be-hisab ho.

->Aag mein kapra jalta dekhna:
Aankhon ko nuqsan ho aur maal k liye pareshan ho.

->Aalu surkh ya syaah dekhna:
Maal-o-dolat hasil ho. karoobar mein taraqi ho.

->Aalu zard dekhna:
Beemari mein mubtla ho.

->Aalu khatay dekhna:
Bayes-e-asayesh ho. Dolat haath aye aur aram paye.

->Alu'bukhara dekhna;
Mausam mein dekhay tou taraqi milay aur maal-o-manal haath aaye.

->Aalu dekhna:
Farzand paida ho , khushi milay.

->Aam dekhna:
Roozgar mein taraqi ho, gaib se madad milay, pareshani dor ho.

->Aam khatay dekhna:
Maal'dar ho, naimat haath aye, aulaad zyada ho, safr ekhtyaar karay.

->Aam ka darkht dekhna:
Bayes-e-paeshani hai, umeedon per paani phir jaye.

->Aansu behtay dekhna:
Shaadi ya khushi ka bayes hai, gham dor hon.

->Aansu bagair roye behna:
Tana'zani mein bad'naam ho.

->Aankhein roshan dekhna:
Kisi buzurq se faiz hasil ho. parhaiz'gar ho.

->Aankh aik andhi dekhna:
Nisf deen ya nisf maal, ya nisf jism ko nuqsan ho.

->Aankhein donon andhi dekhna:
Tamam deen ya maal zaya ho.

->Aankh mein surma lagana:Deen per aamil hone ki daleel hai.

->Aankh mein safaidi dekhna:
Gham mein mubtla hone ki daleel hai. Jitni safaidi dekhay us qadr pareshan ho.

->Awaz mard ki sun'na:
Buzurgi hasil ho.

->Awaz janwaron ki sun'na:
Bayes-e-pareshani hai, museebat paish aye.

->Awaz khush sun'na:
Agar dahni janib ya samnay taraf se sunay tou rahat ka bayes hai aur agar bayen janib ya pusht se sunay tou takleef-o-ranj uthaye.

->Aandhi dekhna:
Waba phailay, log takleef payen, bayes-e-pareshani hai.

->Ayena dekhna:
Dost ya rafeeq milay, tamana dil ki poori ho.

B:

Baat Arbi mein kerna:
Deendar ho, Elm-e-deen hasil karay. Deen-e-Islam se mohabat ho.

Baaja bajana:
Deen se be-behra ho, duniya mein masroof-o-mashgol ho.

Bajra ki roti khana:
Dili muraad poori ho. Rizq mein farahi ho.

Bajra dekhna:
Kisi qadr khair-o-barkat ka bayes hai.

Badaam ki gaari dekhna:
Khair aur naimat ka bayes hai.

Badaam dekhna:
Taraqe-o-dolat ki daleel hai.

Badam Sazb dekhna:
Beemari se shafa paaye.

Badshah dekhna:
Dolat-o-neemat paaye. Hukomat haath aye.

Badshah ko bad'maa dekhna:
Nuqsaan ho, Andeshy se pareshan ho, Sadqa dy ta k balayen door hon.

Badshah ko gair jagah dekhna:
Afaat nazil ho, zaraat barbaad ho jaye.

Badshah musalmaan dekhna:
Khair-o-barkat hasil ho, mulk mein shara'e ahkaam jaari hon.

Badshah se guftufu kerna:
Buland martba paaye, Izzat hasil ho, Ayesh-o-aram milain.

Baaz safaid dekhna:
Izaat-o-touqeer hasil ho, qabeelay mein sardaar ho.

Baaz chaat(Roof) ya darkht per dekhna:
Badshah se enaam hasil ho, buland martba buzurgi paaye.

Baaz ghar mein chupa dekhna:
Larka paida hone ki elamat hai, ya dolat haath aye.

Bara(12) burj dekhna:
Bayes-e-uloom aur hikmaat hasil ho, bohat se kaamon mein shamil ho.

Bawarchi ban'na:
Khair-o-barkat ka sabab hai, neemat be-andaza paye.

But poojna:
Mujrim ya mushrik ho, deen mein fasaad paida karay, bad'naam ho.

But chandi ka dekhna:
Hasb-e-minsha aurat milay.

Bijli aag ki manind girna:
Shehar ya elaqay mein fasad aur fitna ho. Wabaal aur aafat aaye.

Bichchu dekhna:
Kisi se dushmani paida ho, ranj-o-malal paida ho, takleef uthaye.

Bichchu kat'ty dekhna:
Dushman se nuqsaan uthaye.

Bichchu ko martay dekhna:
Dushman se laraye ho, bil'akhir ghalib aye.

Bichchu se dartay dekhna:
Dushman se khayef ho aur pareshani hasil ho.

Baagh dekhna:
Khushi hasil ho, rahat paaye, gham aur dukh door hon.

Baagh phuldaar dekhna:
Dolat haath aye, karoobar mein taraqee ho.

Baagh se phaal torna:
Maal-o-dolat jama karay. Karoobar wasee ho, ba'izzat ho.

Baal sar k lambay dekhna:
Aurat dekhay tou zeenat-o-husn mein yakta ho, mard dekhay tou azarda-o-malool ho.

Baal sar k katay dekhna:
Ranj-o-takleef se nijaat paye, khushi muyassar ho.

Baalon se sar ganja dekhna:
Maal-o-zar jama karay, aqalmand aur daana ho, izzat paye.

Baalon mein kanghi kerna:
Naafa hasil ho.

Bukhar sakht apnay aap ko dekhna:
Tandrusti aur darazi-e-umr ki daleel hai.

Bakhshish mein buri cheez dena:
Fitna-o-fasaad mein mubtla ho, ranj-o-gham uthaye.

Bad'hazmi hote dekhna:
Maal haram paye, aur fasaad karay.

Barf khana:
Dil ko khushi-o-suroor hasil ho. malal door ho.

Bistar safaid dekhna:
Aurat khubsurat se milay. buzurgu paaye.

Bistar per baithna:
Izzzat hasil ho.

Bakri paana:
Aurat milay, ya dolat hasil ho aur rizq mein farawani ho.

Bulbul dekhna:
Ghulam ya kaneez ya baitay se mutradif hai, yani khush'guftaar farzand ya ghulam milay.

Billi chori kertay dekhna:
Fasaad honay ka sabab hai, pareshani dekhay.

Billi ko martay dekhna:
Beemari se shafa paaye, raanj-o-takleef se nijaat paaye.

Billi ko hamla'awar dekhna:
Sakht beemar ho ya kisi museebat mein giraftaar ho.

Billi kaali dekha:
Afaat mein mubtla ho. Giraftaar-e-bala ho.

Bandar dekhna:
Kisi se dushmani paida ho.

Bunyaad makan ki dekhna:
Aman paaye, dushmanon se be'khauf ho aur maaldaar ho.

Bulandi se utartay dekhna:
Martba ghhatnay aur tanazli ohday ki alamat hai.

Badshah se larna:
Farahi nemat ho.

Boosa dena:
Matlab-e-dil hasil ho aur deendaaron mein shamil ho.

Bhairya dekhna:
Badshah zaalim, ya dushman se sadma uthaye, zaahir mein dost ho aur baatin mein dushman ho. Zaarar pohnchaye.

Bhoonchal dekhna:
Museebat-o-bala mein giraftaar ho, gunaah se tauba karay.

Bhook lagna:
Bayes-e-mussarat hai, naye cheez haath anay ki basharat hai.

Beej bona:
Aurat milnay ki daleel hai, koye naya kaam karay jis se dolat haath aye.

Be'hosh hotay dekhna:
Kisi kaam se heerani-o-pareshani hasil ho, lakin bad mein kaamyabi milay

A Detailed Description of House-Tree-Person (H-T-P) Projective Psychological Test

General Interpretive Guidelines:

There are general guidelines that should be taken into consideration when evaluating any projective drawing. Regardless of which drawing is being completed, the manner in which the task is approached and the way the drawing presented are of equal importance to the content itself. The first step in analyzing the drawing, then, is to look at the overall picture and evaluate it in the following areas.

Line Quality:

Variable pressure in an otherwise normal drawing suggests a flexible and adaptable personality (Urban, 1963). Unusually heavy pressure (indentations noted on the reverse of the paper) is a sign of tension (Jolles, 1971), high energy level (Hetherington, 1952), forcefulness and possible actingout tendencies (Hammer, 1965, 1968, 1969b). Light sketch pressure often reflects a hesitant,indecisive, timid and insecure individual (DiLeo, 1970), Machover, 1949). Most likely, this person is experiencing a lack of self-confidence and problems with seld-assertion. In children, light pressure may suggest a restrained or inhibited personality with a low level of energy (Hammer, 1968). The use of shading and shaded strokes suggests anxiety when present in the drawing of adults (DiLeo, 1970, 1973; Jolles, 1971) but is frequently found in the drawings of normal children (Koppitz, 1968).

Size:

The size of the drawing must be considered in relation to the size of the paper. Unusually large drawings suggest either aggressive, expansive, or grandiose tendencies (Koppitz, 1968) or acting out potential (Gilbert, 1969; Machover, 1949). People with feelings of inferiorty or inadequace may produce large drawings as a compenstaory defense mechanism (Delatte and Hendrickson, 1982). When this dynamic is present, there are usually other signs in the drawing of conflict and insecurity. Small drawings directly reveal feelings of inferiority, timidness, insecurity, and ineffectiveness (Buck, 1969; Jolles, 1971; Machover, 1951; Prytola Phelps, Morissery, and Davis, 1978). People who draw small figures usually are hesitant to reveal their feelings, and tent to be restrained and inhibited in their interactions with others. Small figures may also be a indication of depressive and constricted behavior under stress (Handler and Reyber, 1964).

Placement:

Central placement on the page suggests a normal, reasonably secure person especially if, when there is more than one figure in the drawing, the figures are balanced and in proportion to one another (Urban, 1963). Placement on the right side of the page indicates intellectualizing tendencies, sometimes to the point of inhibiting expression of feelings (Hammer, 1969b; Jolles, 1971). Right side placement may also show that the person's behavior is governed by the "reality principle" or that he candidly looks at the here and now (Hammer, 1969b; Marzoff and Kirchner, 1972). In addition,right side placement (especially in the lower right side) indicates that the material is approaching consciousness, and thus represents potential areas of development and integration. Placement on the left side suggests probable impulsive behavior with a drive towards immediate emotional satisfaction of needs (Hammer, 1958, 1969b). Orientations towards the past, that which is unknown, or the ending of some phase of life are also represented by drawings on the left side (Jolles, 1971; Urban, 1963).

Placement high on the page suggests a high level of aspiration (Machover, 1949), an active fantasy life (Buck, 1969; Jolles, 1971), or extreme optimism that is frequently unjustified (Machover, 1949; Urban, 1963). In children, high placement reflects high standards of achievement and high drive (Jolles, 1971). Placement low on the page reveals feelings of insecurity, low level of self-esteem, possible depressive tendencies, and/or defeatist attitudes (Jolles, 1971). Using the lower edge of the paper as the base for the drawing may indicates a need for support associated with feelings of insecurity or a lack of self-confidence (Schildkrout, Shanker, and Sonnenblick, 1972).

Order and Organization:

Most drawings will show some orderline in their representations. People who are functioning well psychologically place the figure of the drawing evenly in the paper, and show a sense of proportion and interaction to create a complete picture (Lakin, 1956; Urban, 1963). People who are depressed or of a low intellectual level, however, may have a number of different figures or objects in their drawings, but the interaction among them is minimal or negligent. People with severe psychological disturbances such as schizophrenia may present their drawing in a very bizarre or disordered fashion, with the figures relating to each other in an unconventional or confusing manner (Hammer, 1954; McElhaney, 1969).

Sometimes, in an effort to maintain order in their drawings, individuals will box off or number the elements represented (Gilbert, 1969; Lerner, 1972). This is particularly true in drawing tasks where a person is asked to draw a number of different figures within one drawing (Bender Gestalt, Draw-A-Family test). People who use this method to create order often have a difficult time controlling their lives, and rely heavily on external structures and guideline. Without the external limits they become quite anxious and unable to achieve their potential. Usually these persons tend to be rigid and meticulous in their dealings with the world, and lack the internal controls necessary to interact with their environment in a satisfactory manner.
When only one element of a drawing is encapsulated, it may represent a desire on the part of the individual to remove this area of conflict from his/her life by putting a wall around and preventing further interaction with it.

Symmetry:

Extreme bilateral symmetry creates a stiff and rigid drawing which indicates that spontaneous impulses or emotions are repressed with obsessive-compulsive or excessive intellectualization defenses (Hammer, 1958' Machover, 1949). Such people are often characterized as cold, distant, hypertense, and perfectionistic. Marked disturbance in symmetry feelings of insecurity, "unbalanced" self concept, or poor impulse control with overactivity and excessive spontaneity (Machover, 1949; Urban, 1963).

Erasures:

Excessive erasures suggest uncertainty, indecisiveness, and restlessness (Machover, 1949; Schildkrout, Shenker, and Sonnenblick, 1972; Urban, 1963). Often these individuals are dissatisfied with themselves and are experiencing a great deal of anxiety (Hammer, 1958, 1968). When this condition is extreme, it may reflect an obsessive-compulsive personality (Machover, 1949). Frequent erasures are rarely seen in the drawing of children, schizophrenics, or organics. As would be expected, erasures focus attention on a particular area of the drawing and suggest conflict or concern about what that area represents to the individual. If an erasure is made to improve the drawing, the person may be expressing a degree of flexibility which is consistent with a satisfactory adjustment (Jolles, 1971; Roback, 1968) and a striving for achievement (Wysocki and Whysocki, 1973).

 Detail:

Lack of detail in the drawing suggests either psychosomatic hypertensive conditions (Modell and Potter, 1949) or depressive and with drawing tendencies (Hammer, 1954; Schildkrout, Shenker, and Sonnenblick, 1972). Excessive detail indicates obsessive-compulsive tendencies, rigidity, and/or anxiety (Hammer, 1958, 1965, 1969). People who are highly emotional and creative also tend to use a great deal of detail in their drawings. Bizarre details can be indicative of psychosis (McElhaney, 1969; Mursell, 1969).

Transparencies:

When the body is represented as transparent and internal organs are depicted, there is a likelihood of somatic delusions and/or a schizophrenic or manic condition (Machover, 1949; Wolman, 1970). Transparent clothing drawn by an adult suggests voyeuristic or exhibitionistic tendencies and possible problems with sexual identity, depending on the nature of the drawing (Machover, 1949). Transparencies in children's drawings, however, are not unusual (Urban, 1963).

Distortions and Omissions:

When a drawing is quite distorted or bizarre, the person's awareness of reality is often confused and disturbed, which may indicate a psychotic or schizophrenic condition (McElhaney, 1969; Urban, 1963). Omission of essential details may occur as a part of this distortion, or it may occur in an otherwise integrated drawing. In the latter case, omission of an important part suggests a strong area of conflict with the use of denial as the primary defense mechanism (Urban, 1963).

Perspective:

A drawing that is represented as seen from below shows feelings of rejection, unhappiness, or inferiority(Jolles, 1971). Withdrawal tendencies and a desire for only limited interpersonal contact are typical. Drawings that are represented as seen from above, reflect a sense of superiority, possibly as a compensation for underlying feelings of inadequacy or other conflictual states existing within the person (Hammer, 1958; Landisberg, 1969). Drawings that are very distant and far away show feelings of inaccessibility and a desire to withdraw (Jolles, 1971). It may be that a particular situation is judged as being beyond the person's ability to handle effectivity or perhaps the individual has rejected this area of his life. A close appearance, on the other hand, suggests feelings of interpersonal warmth and psychological accessibility (Jolles, 1971).

Shading:

In general, shading responses are indicative of anxiety (DiLeo, 1970, 1973; Machover, 1951, 1958). Often the area of the picture that is shaded will indicate the particular aspect of the person's life that is causing anxiety or conflict. When shading pervades the entire picture, anxiety may be more "free floating" and not attached to any particular area of disturbances. However, a moderate amount of shading is frequently found in the drawings of normals, and Deabler (1969) has even found a complete lack of shading to be associated with character.  

Maza tou tab hai

"Maza tou tab hai jab baahir Shaam dhal rahe ho..aur tumharay andar Sooraj Tulu ho raha ho".

Sooraj tulu (Sun rise)

Saachaye

"Saachaye Tail ki tarah satah per aa jati hai".

Tail (Oil)
Satah (Surface)

Bartanon k tootnay per

"Bartanon k tootnay per khafa na ho..kyun k... Unn k liye bhi tumhari tarah waqt muqarar hai".

Jo shakhs khud ko

"Jo shakhs khud ko gumraah kernay per misr ho ...ussay koye shakhs Raah-e-Raast per nahin la sakta".!!!

Insaan ki shakhseeyat

"Insaan ki shakhseeyat ka nikhaar dolat se nahin..kirdaar se hota hai".